‘Marching on Together’ is set within the 1984-1985 football
season where rough and thuggish Leeds United supporter, Macca has been released
from prison for three years, due to being caught in a vehement broil three
seasons previously. Whilst having a reunion with his friend, Jonno (Jim
Mannering) at the pub, he's tackled with the point that his position as head
ruffian has been surpassed by the youngsters of society i.e. tracksuit wearer
accountant, Nathan (Alex Southern), and his accomplice Tommy. Macca appears to
be startled and irrated by Nathan’s self-assurance, and his plans to unleash
hell on the opposing team supporters. However, Macca apprehends that he must
make amends with his ex-partner, Linda (Donna Preston), and their son, but
Linda states the Macca is not allowed to see their son, and to rekindle their
relationship, as she believes that he will not adapt in the most positive of
circumstances. As such, Macca reverts back to his former hoodlum ways, and asks
Nathan and Tommy if he can become a member of their mob. Conversely, throughout
the play, Macca forms a closer bond with Tommy, as he mentors him that he
should toughen up against Nathan's frequent bullying tactics, and to ensure
that he must remain positive, even know he's a striking miner. After each match,
we come to realise that Macca is in fact not thinking of supporting Leeds
United, but to vent his anger towards his demoralised life; this is shown when
Tommy asks him what the score is, and Macca actually does not know. During one
fight, it becomes apparent that Tommy has been killed by the opposing team supporters,
and this causes Macca to address some of his issues, but not in the most
positive of methods. Hughes’ narrative is quite interesting as it enables one
to think that pugnaciously fighting in such a malicious manner will not solve
any issues of any kind, on the other hand, there could've been more depth in
places.
One found the performances by the company of ‘Marching on Together’
were really well-characterised throughout the show; explicitly within the
emotional moments. Adam Patrick Boakes’ is wondrous as the lead protagonist,
Macca; specifically when he endeavours to visit is son, but not managing to do
so due to his ex-partner’s repeatedly opposing views. Joshua Garwood is lovely
as the quiet, Tommy; exclusively when he emotionally breaks down as he feels
that what he, Macca and Nathan are doing to people; for example a 15-year-old
boy is heinous, and conveys that he wants to regain his poise as a positive
member of society.
Joshua McTaggart's direction is the ideal here as he has
made an astute attempt to present a play about football hooliganism in a fraught
atmosphere in the north of England with wonderful effect,t and vastly
educational. Max Dorey’s set and costume designs are intuitive as we not only
delve into the bitter rivalry of football fans, but the frustration on a
certain individual whose past makes a disappointing reappearance with immense affect,
this is conveyed as the set soon unravels into destruction. Overall, one found
the experience of ‘Marching on Together’ to be an intriguing and somewhat
compelling one. Most definitely a ticket purchase here.
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