When theatre productions massively falter, it’s usually the
critics who inevitably destroy and revel in such damnation's, but when the
entire premise of the play is to express such instances openly is a work of pure
comic brilliance. ‘The Play that Goes Wrong’ that is presently charming
audiences at the Duchess Theatre suggest the amateur sector ought to avoid the
privilege to perform on the West End stage. Conceived by Henry Lewis, Jonathan
Sayer and Henry Shields, we are believed to be witnessing Cornley Polytechnic
Drama Society’s production of ‘Murder at Havisham Manor’ was packed full of
disasters from the very beginning when sections of the set start to
disintegrate due to a lack of care and attention from its stage manager, and a
member of the audience, who is then left on the stage alone. In addition to
this, the calamities include such instances where the sound/lighting operator
forgets to press the correct switch on sound cues, and hints of Duran Duran
songs plays, which obviously creates an amusing affect. Moreover, we witness
the rapid decisions that directors have to come up with when one member of the
cast experiences an horrific injury, whilst on stage, and this is hilariously
conveyed when the stage manager, Annie Twilloil has to perform as the vivacious,
Florence Colleymore. The play allows us to see the struggles of the director, Chris
Bean has bestowed upon himself as not only the director of the peace and actor,
he is in fact the designer, prop maker, dramaturg etc. As well as, due to the
gargantuan amounts of catastrophes that transpire from the show, he fundamentally
breaks down, as his production is doomed entirely. Lewis, Sayers and Shields
narrative is excellently amusing, as a concept of a play within a play shows
how plays can unfortunately go completely wrong, and it's really interesting
that their script began its journey at the sixty seat, Old Red Lion Theatre, in
Angel. One found the performances by the company of ‘The Play that Goes Wrong’
were brilliantly rib-tickling and wonderfully characterised during the entire
production. Henry Shields is transcendent as the disheartened director, Chris
Bean; especially when we see him attempt to fix a number of disasters that
exude through the horrid production that he has created, also his breakdown
elements were really funny too. Nancy Wallinger is delightful as the haphazard
stage manager, Annie Twilloil; in particular her transformation as the lead
female, Florence Colleymore, as well as it was highly charming to observe her enjoyment
on stage, and dislikes it when the original actress regains consciousness.
Jonathan Sayer is exceptional as, Dennis Tyde; such as when he uses such force
to make sure his character Perkins was powerful, and his movements were well
executed throughout this comic performance. Mark Bell's direction is brilliant here,
as you are able to see the destruction of an amateur production within a West
End stage, and the attention to detail within the slapstick comedy was
phenomenal which was positively received due to the rapturous audience reactions.
Nigel Hook’s set design is beautiful as you can see the haphazard perception of
amateur company’s admiration of their work. Furthermore, it appears that there
has been a considerably fruitful collaboration between himself and Bell, as it’s
very near perfection. Overall, one found the experience of ‘The Play that Goes
Wrong’ was excellent, and extraordinarily hilarious. Well recommended.
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