If you could not travel up to Edinburgh this summer, and
desperate to witness some fringe work, then look no further than the Old Red
Lion Theatre and see their current production of C.J. Wilmann's innovative play,
‘The Picture of John Gray’. One found the performance displayed a heartfelt
story of homosexual living in a world where it's frowned upon and unsurprisingly
illegal to do so. ‘The Picture of John Gray’ is grounded on factual events
during the summer of 1889 where their fabulous writer, Oscar Wilde commences an
affair with a young man, who exudes loveliness. He instigated Wilde’s sexual
fantasy, and decided to use his surname for the writer’s most infamous
conception. However, this appreciation is destroyed as Wilde and John Gray's
relationship is ended, which leaves John to begin his adult life, and for him
to discover what profession he is called on to do. The play focuses around to
passionate and secrecy that surround gay men during the late nineteenth century,
and how romance develops from the most unlikely of pairings. The central
protagonist, John Gray, an emerging poet discounts the conversation with
literary critic, Andre Raffalovich as he disagrees with the critical reviews he
has written. Nonetheless, the two soon settled the dissimilarities and romance
strikes. During this time, Oscar Wilde has been found out about his illegal
actions with men; John soon panics because he could be facing a jail sentence.
Luckily enough for him, Andre decides that they should take a vacation to Berlin
to forget all the issues that are occurring in United Kingdom. When they visit
Rome after Berlin, John appears to have signed up to become a priest, meaning
that the passion with him and Raffalovich is not destined to be due to
religious obligations. Wilmann’s narrative is extraordinarily moving as he
welcomes us to the realisation of gay life amongst Wilde’s array of male conquests,
and the troubled situation that John has found himself in. Some elements left
me with tears in my eyes as the dialogue is incredibly infectious. The performances
by the company of ‘The Picture of John Gray’ were convincing and characterised
with such panache. Patrick Walshe McBride is wonderful and central protagonist,
John Gray. One found the emotional vulnerability he portayed indicated the
man's need to find peace in himself. Christopher Tester is outstanding as the
critic, Andre Raffalovich. He provided a splendid use of diction is performance
when he attempted to comfort John in his breakdown. Jordan McCurrach and Oliver
Allan were dazzling at as the art enthusiasts and makers, Charles Shannon and
Charles Ricketts. Tom Cox was sublime as the incredibly pretentious Bosie. The direction
by Gus Miller here is transcendent as he has directed a masterpiece of the
production that conveyed the brutality of Oscar Wilde. Rosanna Vize’s design is
excellent as we are transported to the atmosphere of a society that despises
the acceptance of homosexuality. Overall I found the experience of ‘The Picture
of John Gray’ to be a gracious one. Well worth a visit to this imitate space
above a Public House.
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