The Old Vic’s in the round configuration has proven to be a
success with its previous productions, ‘Other Desert Cities’ and ‘Clarence
Darrow’ and the third in the season,
Arthur Millers’ highly regarded play, ‘The Crucible’ is an emotive spectacle
and a real endurance challenge. This is due to the fact that the play lasts for
three and a half hours, which is the longest one has ever spent in a theatre,
not only this year but one’s entire existence. ‘The Crucible’, originally written
and performed in 1953 conveys is a somewhat fictional dramatization of the Salem
witch trials that occurred during 1692-1693, in America, and the paranoia that
exudes the community and the justice system. We are introduced, immediately
with Reverend Parris' daughter, who believes she is a witch and thinks she’s communicating
with the devil. As such this frightens the entire Massachusetts people and
prompts a hunt of all females who are experiencing these symptoms. The
narrative is exceedingly appealing throughout as you feel slightly empathetic
towards the male characters, as it suggests that the women are being deceitful
to prove their own power and dominance. Miller’s plot advocates the idiocy that
surrounded Massachusetts during the time, and how the influence of the
supernatural commenced one of the supposed witches husbands to prove his wife’s innocence
and purity of the other hypothetical witches. One found it interesting that the
playwright wrote ‘The Crucible’ in an environment that was fearful of American culture
becoming worldwide, and this is clearly evident in the plays flow and the
superiority of the woman in a male dominated society. In addition, Miller’s
narrative is enthralling throughout the three and a half hours, and this shows that this is his masterpiece of writing, even more so than ‘A View from the Bridge’,
which has recently been staged at nearby Young Vic. The performances by the
company of ‘The Crucible’ were excellently portrayed. Richard Armitage is
outstanding as central protagonist, John Proctor. The monologue section, prior
to his execution was vastly moving, and I noticed many audience it members
crying at this moment. Jack Ellis is extraordinary as the main witch hunter,
Danforth especially in a moment where he's incredibly chilling in interrogating
the women for the truth. Natalie Gavin's betrayal as Mary Warren who tries to demonstrate
her innocence is exceptional. Yaël Farber’s direction is phenomenal as she has
been able to instigate the bleakness of the situation and allows us to make our
own conclusions. Once again, Soutra Gilmour’s designs are spectacular as the
set is incredibly simplistic, but effective, especially when we enter an
auditorium that is consumed of only wooden chairs. She can clearly design
performances of all styles and genres. Overall, ‘The Crucible’ is an experience
that was truly memorable and would be worth a visit.
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