Once again, another West End transfer from the prestigious
Chichester Festival Theatre has taken residence at the Shaftesbury Theatre.
This time it's Richard Eyre's production of the classic 1950's musical 'The
Pajama Game', and for me it's most definitely a delightful performance and
makes one engage fully throughout. 'The Pajama Game' was written by George
Abbot, and adapted from Richard Bissell's novel called '7-1/2 Cents',which
creatively conveys a troublesome situation within a pyjama factory where strike
action is a foot as the factory employer are demanding a seven-and-a-half-cents
rise as other factories and increasing workers' pay. The musical clearly
establishes the females rise in the workplace as Babe is the union’s
chairperson and how love can exude through tremendous difficulties as Sid, the
factories new superintendent has become infatuated by Babe’s personality and
appearance. The show, first performed in Broadway, in 1954 has rarely been
performed in the United Kingdom, and this rendition does not disappoint as the
themes are incredibly poignant today. In addition, the performance is extremely
enjoyable and one that appeals to a diverse range of audiences. The narrative
is vastly clear and written with such panache and Richard Adler and Jerry Ross’
music and lyrics are compelling as they engross you to see whether the workers
receive their pay rise and that the love story between Babe and Sid can
progress, despite differences of opinions. I found such musical numbers as “Racing
with the Clock”, “Hey There (You with the Stars in your Eyes”, “Sleep Tite”
and “The Pajama Game” to be such sublime pieces of musicality and it seemed
that the audience agreed with me too. It's a shame that musicals today are
lacking originality, as expressed in previous reviews, to get audiences in,
that existing material would aid ticket sales. Can people take some responsible
creative risks please! The performances by the company of ‘The Pajama Game’
were spectacular. Joanna Riding is exceptional as the head of the workers union,
Babe. I particularly liked the powerful strength behind the characters’ desire
for improved pay. The handsome Michael Xavier is outstanding as the “new kid on
the block”, Sid. I thought that he was ever so passionate in how he loves Babe
with all of his heart. Gary Wilmot is superb at Hines, who provides the
humorous elements of the performance to shine through. Alexis Owen-Hobbs is
wondrous as Gladys, the boss’ secretary. Claire Machin is amazing as Mabel,
Sid's secretary. Richard Eyre’s direction was phenomenal as a rarely produced
musical can be performed with such perfection and a performance that entertains
people throughout. Stephen Mears’ choreography is stunning, as each dance was
delivered with tenacity and ease, especially in “Steam Heat”. Tim Hartley's
design was brilliantly designed and consistently captures the factory atmosphere.
‘The Pajama Game’ is a performance worth seeing and an experience that I
enjoyed immensely.
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